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Stonebwoy is undoubtedly Ashaiman’s greatest artiste, and they are super-proud of him. They nearly mobbed him as he visited them yesterday.
On his arrival, the whole Mandela street down to the main station of Ashaiman got flooded with his fans.
The video sighted by adamabdella.com proves he is indeed a diamond asset for the people of Ashaiman.
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VIDEO: Stonebwoy renders public apology to Sarkodie’s manager for hitting him in the eye
There were no Gun, There were no Knife.
Stonebwoy has rendered an apology to Sarkodie’s manager, Angel Town, over an altercation between the two that got the latter hurt in the eye.
The incident which happened on Monday, August 10, 2020 during the shoot of Sarkodie’s upcoming virtual concert has generated a lot of reactions from the general public, with a lot of people slamming Stonebwoy for hitting Angel in his eye.
But in a video he posted on twitter, Stonebwoy apologised to Angel and asked people to patronise Sarkodie’s event.
After all the beef she had with his college, there is a new banger coming out.
Something juicy from the camp of songstress Sista Afia and the award winning dancehall artiste Stonebwoy will be dropping soon.
The two were spotted in the studios having some good time together.
K-squaredmedia.com reached out to her manager to find out what is happening with Sista Afia and Stonebwoy.
According to her manager Kule, the two have been busy in the studio working and soon the project will be unveiled
He also mentioned that there are more future projects which are under discussions right now
‘We met yesterday inside his studio to talk more about the project,’ he added.
We will be following to get any details and when the song will be dropping for our readers.
After last Saturday`s edition of United Showbiz on UTV which was followed by almost all the players in our showbiz space, different commentaries have been generated from the show. Whilst some have praised Stonebwoy for his fluency, others have also criticized him for his position and understanding of the job of artistes managers in our music industry.
One of such people who have come against Stonebwoy on artistes management is Lawrence Nana Asiamah Hanson aka Bull Dog who happens to be the manager of Africa`s dancehall King Shatta Wale. Obviously after Stonebwoy`s fracas with his former manager Black Sidi, there seems to be a bad blood between the two and it showed in the submission of Stonebwoy yesterday when he was asked to talk about it.
Bull Dog disagrees with some comments he shared and has given a response to the 1GAD on his Facebook timeline. This website www.sammyflextv.com has published it below unedited for your knowledge.
The general disregard to Artiste Management as a profession, on United Showbiz the most watched and talked about TV Talk Show in Ghana hosted by seasoned and award winning actress, Empress Nana Ama McBrown on UTV, Ghana’s leading, most patronised and best-loved award winning television channel by one of Ghana’s top musical exports, Stonebwoy was so unfortunate.
If you have a situation with your management team please don’t generalise it.
To say which artiste manager in Ghana can show a certificate for management was distasteful and unschooled.
Let us learn to respect each other’s contribution in this space.
You were on the moral high ground about ‘disrespect in the game’ kindly heed to your counsel.
I’m not sure it will be appropriate for one to seek for an artiste’s certificate for them to be referred to as or become one.
Talent management is the knowledge or skill obtained from a period of practical experience with talents, especially that gained in a particular profession.
One’s handiwork and attainment in their chosen field makes them a master of their trade and not a certificate in form of a document.
Their unceasing success in their field of work is all the certification they require.
How joyous it would be to ask for a presidential certificate…
Talent management is a labour of love. Their efforts don’t generate into streams or laurels for themselves so their contribution to the grandiose victory is easily overlooked.
Talent Managers aren’t celebrated in this country because their tale of toil don’t get told.
READ THIS IF YOU’RE A BHIMNATIVE!
HENCEFORTH, NO ONE SHOULD TALK ABOUT “HIM” AGAIN ! DO NOT TALK ABOUT HIM !
DON’T EVEN MENTION HIS NAME HERE OR THERE TO MAKE HIM RELEVANT.
DONT BE ON HIS PAGES ATTACKING HIM.
JUST UNFOLLOW HIM IF YOU CAN !
YOU ARE THE ONES STILL GIVING HIM NUMBERS ON SOCIAL MEDIA. YOU LIKE HIS POSTS YET COMMENT AGAINST HIM.
NO ONE SHOULD ATTACK HIM
PLEASE IGNORE HIM! JUST UNFOLLOW HIM!
Ghanaaview.com after hearing the news about Kelvin Boy’s attack did a very insightful analysis of the incidence and also call the manager of Kelvin Boy to narrate what happened at the Electro-land office at Ashiaman.
One of the ghanaaview.com reports about the incidence from StoneBwoy’s camp and what they think about the incidence. According to the report from ghanaaview.com, Bhim Nation members know nothing about the incident but they confirm that they know the attacker.
Burniton Music Group, home of multi-award-winning Ghanaian musician Stonebwoy has responded to comments suggesting its artist was involved in alleged attacks on former label signee Kelvyn Boy.
Earlier today (Monday, June 22, 2020), Kelvyn Boy in a series of cryptic messages on Twitter talked about an alleged attack on him during the opening of a business showroom in Ashaiman where Stonebwoy holds as a ‘territory’
Although Klevyn Boy did not mention any name, fingers were easily pointed at Stonebwoy his description of the events easily pointed to Stonebwoy who ‘owns’ the territory.
A statement issued by the label states “we state emphatically that we are in no way associated with the alleged scuffle”
ALLEGATIONS OF UNLAWFUL CONDUCT AT ASHAIMAN AND MATTERS ARISING
Our attention has been drawn to a series of tweets issued earlier today from the twitter account of Kelvin Brown, who was previously under our label, imputing criminal conduct against Livingstone Etse Satekla (Stonebwoy), the President and Chief Executive Officer of our organisation.
In these tweets, Kelvin Brown insinuates, and by use of innuendo, alleges that Stonebwoy is responsible for a scuffle that apparently occurred at an event in Ashaiman today.
Further, a group of persons, including an individual who is being held out by the media as Stonebwoy’s bodyguard, have been identified in social media reports to have been allegedly involved in the scuffle. These imputations of criminal conduct are very scandalous and calculated to cause disaffection for Stonebwoy, our organisation and our brand.
It is for these reasons that we are issuing this statement to set the records straight and correct any erroneous impression that may be created in the minds of the discerning public as a result of these tweets and media reports.
For the avoidance of doubt, we state emphatically that we are in no way associated with the alleged scuffle. Further, none of the individuals who are alleged to have been involved in the alleged actions has been and/or are in, the employment of Stonebwoy.
Our attention and energies are focused on shaping Ghana’s sonic landscape through Anloga Junction, Stonebwoy’s recently released studio album which is receiving critical acclaim and global recognition.
To suggest that we will divert our attention from our efforts to promote Ghanaian music to devote time and/or energy to an artist who was voluntarily released from our organisation can only be the product of an exaggerated sense of self-importance. Be that as it may, these spurious allegations are very damning and are causing considerable harm to our brand and our legitimate business interests.
As such, we have instructed our lawyers to take the appropriate steps to vindicate the legal rights of Stonebwoy and the brand of our organisation.
While the legal processes follow their course, we entreat the general public to treat these baseless allegations with the contempt that they deserve.
We are and shall continue to be law-abiding persons dedicated to entertaining Ghanaians through our music, BHIM merchandise and the charity works of our Livingstone Foundation.
